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In case you were wondering, Fred Wesley still knows how to get down. At the tender age of 68, the Funkiest Trombonist of All Time overcame a long cross-country flight and a bout with acute bronchitis to serve as the guest artist for the Oceanside Jazz Festival, an all-day celebration of local college and high school jazz ensembles.
I drove down to Oceanside to catch the final concert, which featured the Mira Costa Jazz Collective and Mira Costa Oceanside Jazz Orchestra (operating under the clever acronym MOJO) directed by Steve Torok with Wesley as the guest soloist. Read the rest of this entry »
Tomorrow night, I will be driving down to Oceanside to see perhaps the greatest living trombonist, my childhood trombone hero Fred Wesley, sit in as a guest artist for the Oceanside Jazz Festival. I’m looking forward to checking out the vibe, and hearing what Fred has to offer the next generation of potential funkateers.
After a few months in Los Angeles, I am finally figuring out where the jazz is happening — it’s not like New York, where you can just see who’s playing at the Jazz Gallery or Village Vanguard on a given evening. But after digging the scene at the Blue Whale a few times — including a fantastic show by the Alan Ferber Expanded Ensemble earlier this month, which I wrote about for WBGO — I have started to get the hang of it out here.
One advantage of checking out a big band concert is that it brings a whole bunch of great players together for one evening — just following a few of them has led me to some cool gigs. One of those musicians is trombonist Joey Sellers, who also happens to have just released a fantastic solo trombone record, entitled “What The . . . ?” (Yes, a solo trombone record: that’s how much of a badass this guy is.) Read the rest of this entry »
This announcement is very last-minute, but if you’re in the NYC area and don’t have any plans tonight, come hear me give a talk at Rutgers-Newark’s Institute of Jazz Studies on my Master’s thesis research. The title of the talk is “White and Blue: Alternate Takes on Jack Teagarden” and will give a broad overview of my attempt to understand Teagarden’s music and its place in American (and global) society.
The details: tonight, April 21, at 7:00 PM, at the Institute of Jazz Studies (4th floor Dana library, map here)
I hope to see you there! If not, I’ll get a recording and would be happy to share it with any interested parties.