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So far, one of my favorite parts of the academic lifestyle is the occasional ritual known as the Academic Conference. After having a great time presenting at graduate student conferences nearly two years ago (one of which I recounted at this very blog), I resolved to get back in the game this spring. After getting settled at UCLA, I sent out four applications, hoping that one or maybe two might take interest in my work.
Much to my surprise, all four conferences invited me to present a paper! So it’s a busy springtime full of travel, which started two weekends ago at the International Society for Improvised Music conference at William Paterson University, near my old haunts in New Jersey. Next weekend, I’m heading north to Eugene, Oregon to present at the West Coast Conference of Music Theory and Analysis. Later in March, I’ll be back in the New York City area to present at the EMP Pop Conference. I cap it all off with a trip to Vancouver, BC for the Analytical Approaches to World Music conference in May.
I had the pleasure of returning to the Blue Whale this weekend, this time to check out the second night of the release party for saxophonist Ben Wendel’s new CD, “Frame.” It’s a great disc, featuring some of Wendell’s stellar contemporaries such as pianist Tigran Hamasyan, drummer Nate Wood, keyboardist Gerald Clayton and bassist Ben Street. Hamasyan and Wood were on hand for this gig, along with Adam Benjamin on keyboards, Larry Koonse on guitar, and Dave Robaire on bass. Read the rest of this entry »